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February 16, 2014 / bloggenstatt

If it Saint Baroque Don’t Fix It: Annie Clark’s latest complex pop offering rocks

Annie Clark, best known by her performing moniker St. Vincent, has always displayed impressive rock’n’roll chops for someone who primarily trades in dreamy, baroque pop, but the opening one-two punch on her new self-titled album ramps things up considerably.

Album opener “Rattle Snake” and  the proceeding track”Birth in Reverse” both vibrate with an electric energy entirely befitting Clark’s  recent switch to shock-white hair.

“St. Vincent” then moves on to spacier territory, which will be familiar and pleasant for fan’s of 2011’s superb “Strange Mercy”.

The strange, tuneful art-pop on this album will make her collaborator David Byrne proud.

Genre bending also abounds throughout “St. Vincent”. “Bring Me Your Loves” flirts with an industrial sound, “Digital Witness” is a brassy dance song with hints of Prince-like funk and closer “Severed Cross Fingers” is a fairly straightforward ballad.

The humor and genuine feeling present in this album provides warmth to the angular music on this album, and a pulsing energy gives this excellent album a sense of momentum, even if it never quite tops its opening rush.

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